Session: Deadly Dykes (Week 4)
Movie: The Blood Spattered Bride (1972)
Directed by Vicente Aranda
Session: Deadly Dykes (Week 4)
Movie: The Blood Spattered Bride (1972)
Directed by Vicente Aranda
Earlier this month I posted about shooting test footage at Keith's as part of the casting process for Three Slices of Delirium.
Since then, Keith spent more time casting other roles with other performers. I wasn't part of those screen tests, since those are rolls that don't interact with mine. To remind, Three Slices will be an anthology of three short films, each based loosely on Poe. I will be in "The Premature Burial." In the latest, he was testing out actresses for "Baba Yaga" and "The Last Kiss of Ullalume."
While I wasn't there, I did see some of the pictures, so you can too.
Sharon wants a pet bird. Or, "birb" as per some subset of the social media world (for some reason I don't know).
So this week she forwarded me something about birds being cute with a message that it was reason #262 that we should get a birb. I responded that she should put together a Powerpoint and we'd discuss. A little bit later she emailed. I have not edited or cleaned up these slides (except to redact her email address).
As persuasive as it is, I still don't think we're getting a bird. Another cat, maybe later this spring. But not a bird. Sorry...birb.
Ethan and I have now finished our second storytelling class, studying under Adam Wade at the Magnet Theater. The last one ran from the summer into the fall. I posted videos of Ethan's and my performances here.
This class was a bit different than the first. It was billed as a "solo show" class, and I didn't quite understand what it meant. Whereas the earlier class consisted of coming up with and refining stories based on prompts, this was geared around considering what one would do if one were planning to do a solo show. So we started with a premise: If you were doing solo show, and anything were possible -- cost and practicality don't matter -- what would you do. For one assignment we had to bring in soundclips to go with a story that would be part of the show. For another assignment we had to create some original artwork related to a story that would be part of the show. All of this confused me at first. I was thinking of this as another storytelling class, and I didn't understand why we were creating art, bringing in music, and doing show and tell. Eventually, I got it -- Adam was going into different things that a solo show might include, as a way of helping us visualize a solo show. I don't actually have plans to ever do a solo show, but...well, who knows?
Anyway, Ethan told us about his experience with StackUp and I told about how Ducks Deluxe become my rock and roll ground zero.
Session: Deadly Dykes (Week 3)
Movie: The Vampire Lovers (1970)
Directed by Roy Wood Baker
There's not a bad cut on the disc, but this is one of my favorites. I remember he had shared a rough recording on Youtube some time ago. I liked it then, but this fully-produced track takes it to another level.
Since no commentary on Eytan's songs is complete without a reference to Nick Lowe, I'll note that this sounds like something Nick Lowe would have recorded. Or maybe Walter Clevenger, from that time that everything he did sounded like something Nick Lowe would have done.
Session: Deadly Dykes (Week 2)
Movie: Blood of Dracula (1957)
Directed by Herbert L. Strock
A question came up at work this week -- did I, as I was receiving my fellowship diploma, risk having it taken away?
Some background is in order. When I got my Fellowship, the last hurdle was the Fellowship Admissions Course. It was a two-or-so day seminar on professional ethics and responsibility, designed to instill in us a sense of the importance of acting honestly and ethically. The process of attaining fellowship has changed over the years, but the FAC remains a part of it, and I believe the FAC still has the same purpose.
The FACends with a banquet at which the new FSAs called up one by one to receive their diplomas from the President of the Society (at the time, it was Dave Holland) and get their pictures taken. And that's where I made it interesting. I brought a gorilla mask and a banana to the banquet. When my name was called I quickly put the mask on and made my way to the podium. There, amid laughter, I offered Mr. Holland a banana in exchange for the diploma. One of my regrets is that somewhere along the way I lost the picture.
Was I was worried that the stunt would cost me my Fellowship? The fact is, is did cross my mind. I didn't want to ask Mr. Holland in advance, since I wanted it to be a surprise. But I did ask one of the FAC faculty what he thought. Was there a chance that Holland would decide that I wasn't taking the whole thing seriously enough? Might he tear up the diploma and tell me I had to start again? Might the ABCD* take interest and impose some sanction. The faculty member assured me that Mr. Holland has a good sense of humor and would most likely be amused.
I'm thinking about that question again after 25 years. Suppose Mr. Holland (or some other high-ranking SoA people or FAC faculty) was actually offended that I wasn't taking it seriously enough? Could it actually have cost me my Fellowship?
Short Answer:
No.
Long Answer:
The first important consideration is that, by the time of the banquet, we had all been declared FSAs. Why is that important? Because it speaks to what would have been needed for the stunt to cost me my Fellowship.
Suppose we hadn't been declared Fellows before the banquet. Then, I suppose, the faculty could have decided that I failed and not given me my diploma. I don't think that would have happened, and it would have been unduly harsh. But maybe it could have happened. Maybe.
But by the time I pulled the stunt I was already an FSA. So for it to have cost me my Fellowship the faculty would have had to revoke it. That, I figure, is a bigger deal. The faculty at the FAC do not have the power to revoke Fellowship. They would have had to make a complaint to the ABCD. After a full investigation, the ABCD could decide to revoke my credentials.
But that seems unlikely. I looked at the Code of Professional Conduct to see if I could find anything there on the subject. Most of the precepts in the code have to do with the actual work of being an actuary. They govern communication, disclosure, ethical issues. Things that aren't affected by a lighthearted but irreverent joke. at the FAC banquet. The closest I could come to seeing anything problematic is in Precept 1, which reads:
An Actuary shall act honestly, with integrity and competence, and in a manner to fulfill the profession's responsibility to the public and to uphold the reputation of the actuarial profession.
Maybe that last clause could be invoked to argue that wearing a gorilla mask at the FAC banquet could harm the reputation of the profession. But I think that would be a difficult argument to make. Especially in light of Annotation 1-4, which clarifies that even that part of the precept is intended to apply to professional activities. That Annotation reads:
An Actuary shall not engage in any professional conduct involving dishonesty, fraud, deceit, or misrepresentation or commit any act that reflects adversely on the actuarial profession.
Now, it's possible that non-actuarial activities can be interpreted as being violations of the Precept if they are egregiously immoral, and well publicized. And then an actuary could be censured or lose his credential. But it's hard for me to see that happening in the kind of situation I'm discussing.
Thoughts?
__________________________
*The Actuarial Board for Counseling and Discipline, which is the profession's body charged with dealing with ethical or professional violations. They have the power to investigate accusations and, among other things, revoke or suspend actuaries' credentials.
Session: Deadly Dykes (Week 1)
Movie: Dracula's Daughter (1936)
Directed by Lambert Hillyer
I didn't realize it, but more than half a year has gone by since Keith had me in front of a green screen to shoot test footage for his next feature film, Three Slices of Delirium. If you're reading this far and still care, the follow ups to the above-linked post are here and here.
But today I was back as Keith's as he was running some screen tests with my potential costars -- guys who would be playing the young students who attract the...uh, interest... of my character. Today's goal was to see how well the three of us could interact well.
It sure beats a day in front of my spreadsheets!
Thanks to Christina Crocker for these pictures.
We're all yucking it up:
Yet another version of "Do You Think of Me (Now and Again)."
This is the same as the one I posted late last year, but with a new lead vocal track by Tim Patterson.
Enjoy...